TO THE LIGHTHOUSE
VIRGINIA WOOLF
Note:
To the Lighthouse is divided into three sections: “The Window,” “Time
Passes,” and “The Lighthouse.” Each section is fragmented into
stream-of-consciousness contributions from various narrators.
“The
Window” opens just before the start of World War I. Mr. Ramsay and Mrs. Ramsay
bring their eight children to their summer home in the Hebrides (a group of
islands west of Scotland). Across the bay from their house stands a large
lighthouse. Six-year-old James Ramsay wants desperately to go to the
lighthouse, and Mrs. Ramsay tells him that they will go the next day if the
weather permits. James reacts gleefully, but Mr. Ramsay tells him coldly that
the weather looks to be foul. James resents his father and believes that he
enjoys being cruel to James and his siblings.
The Ramsays
host a number of guests, including the dour Charles Tansley, who admires Mr.
Ramsay’s work as a metaphysical philosopher. Also at the house is Lily Briscoe,
a young painter who begins a portrait of Mrs. Ramsay. Mrs. Ramsay wants Lily to
marry William Bankes, an old friend of the Ramsays, but Lily resolves to remain
single. Mrs. Ramsay does manage to arrange another marriage, however, between
Paul Rayley and Minta Doyle, two of their acquaintances.
During the
course of the afternoon, Paul proposes to Minta, Lily begins her painting, Mrs.
Ramsay soothes the resentful James, and Mr. Ramsay frets over his shortcomings
as a philosopher, periodically turning to Mrs. Ramsay for comfort. That
evening, the Ramsays host a seemingly ill-fated dinner party. Paul and Minta
are late returning from their walk on the beach with two of the Ramsays’
children. Lily bristles at outspoken comments made by Charles Tansley, who
suggests that women can neither paint nor write. Mr. Ramsay reacts rudely when
Augustus Carmichael, a poet, asks for a second plate of soup. As the night
draws on, however, these missteps right themselves, and the guests come
together to make a memorable evening.
The joy,
however, like the party itself, cannot last, and as Mrs. Ramsay leaves her
guests in the dining room, she reflects that the event has already slipped into
the past. Later, she joins her husband in the parlor. The couple sits quietly
together, until Mr. Ramsay’s characteristic insecurities interrupt their peace.
He wants his wife to tell him that she loves him. Mrs. Ramsay is not one to
make such pronouncements, but she concedes to his point made earlier in the day
that the weather will be too rough for a trip to the lighthouse the next day.
Mr. Ramsay thus knows that Mrs. Ramsay loves him. Night falls, and one night
quickly becomes another.
Time passes
more quickly as the novel enters the “Time Passes” segment. War breaks out
across Europe. Mrs. Ramsay dies suddenly one night. Andrew Ramsay, her oldest
son, is killed in battle, and his sister Prue dies from an illness related to
childbirth. The family no longer vacations at its summerhouse, which falls into
a state of disrepair: weeds take over the garden and spiders nest in the house.
Ten years pass before the family returns. Mrs. McNab, the housekeeper, employs
a few other women to help set the house in order. They rescue the house from
oblivion and decay, and everything is in order when Lily Briscoe returns.
In “The
Lighthouse” section, time returns to the slow detail of shifting points of
view, similar in style to “The Window.” Mr. Ramsay declares that he and James
and Cam, one of his daughters, will journey to the lighthouse. On the morning
of the voyage, delays throw him into a fit of temper. He appeals to Lily for
sympathy, but, unlike Mrs. Ramsay, she is unable to provide him with what he
needs. The Ramsays set off, and Lily takes her place on the lawn, determined to
complete a painting she started but abandoned on her last visit. James and Cam
bristle at their father’s blustery behavior and are embarrassed by his constant
self-pity. Still, as the boat reaches its destination, the children feel a
fondness for him. Even James, whose skill as a sailor Mr. Ramsay praises,
experiences a moment of connection with his father, though James so willfully
resents him. Across the bay, Lily puts the finishing touch on her painting. She
makes a definitive stroke on the canvas and puts her brush down, finally having
achieved her vision.
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